still reeking from the filth of the tv studio, tabloid mongering and howls of blasphemy from the old guard, dj seinfeld is proving to be a hardened veteran of the circuit. a new anti-hero for a humourless and devoid internet age kicking against the hollywood reptiles. ‘ruff hysteria’ is the sounds from the cutting room floor deemed too unsavoury for public consumption. it’s the grind of acid in the hotel lobby and the incessant pulse of a walkman tucked into a tuxedo pocket oozing it’s way into the central nervous system. it’s four tracks abandoned by the mainstream studios picked up by the grotty b-movie generation. the losers, the freaks, gore heads. bare bones tackle for the floor and analogue anthems for the disenchanted.

since summer 2016, ‘keep on’ has been doing the rounds in the house music community, with support from some of the biggest names on the circuit playing the track on a week-by-week basis. initially made off the cuff as a tribute to chicago’s ghetto house sound and inspired by the dc10 terrace, the track went onto become something of a monster that the young scottish producer never anticipated. after 6 months after constant requests the track will finally be publicly available. upfront high and energy drums combine with brash vocal samples to make the track a dance floor weapon for a peak time dancefloor. on the flip ‘antonio’s keys’ takes things deeper, the track works percussion into more thumping 4x4 kick drums whilst the hypnotic lead line pushes the track forward into the early hours of the morning. limited to 300 hand stamped copie

elizabeth merrick-jefferson is one of those artists who seem low-key. theres not a lot of information about her, if any, except for the existence of the first two records and a lone interview. one released in 2013 and the other in 2014. listening to either record tells you her music might be a lot of things, but low-key isnt one of them. powerful and colourful, direct, and with 313 references embedded in its dna, she pulls it off with style. elizabeths third record is no exception. it has found its home on our mothership label, burek. three happiness is tailor-made for the dance floor. it wont leave anyone with a pulse standing. playful synths, wonderful strings, and infectious groove make it impossible to ignore. knowledge revolution is layered and paced, painting a somewhat different picture. melancholy and a sense of mystery envelop this track, whose leitmotif vocal appears just frequently enough to provide insight into the title. the last track of this ep is fittingly titled noctilucent clouds. its a drumless track with a rhythmic main synth counterpointed by sounds which give off the impression of clouds shining through the darkness of winter nights. another amazing release from burek.

photic fields usher a new name into the fold, switzerland s contra communem opinionem aka cco. the lux rec and mathematics alumni arrives with the road to the stars, five tracks of his trademark acid elegance. the ferocity of the 303 has been sheathed, percussion pared down with lush chords and deep warmth being the focus. house is the foundation from which cco builds. those time honoured sounds support cascading melodies and fragile keys for a 12- that borders between armchair abstraction, floor funk and the night sky.

for the fourth release of hello sailor recordings, boss lady renata do valle curated the sounds of fatnotronic and joutro mundo, two of brazil s major disco forces, to collaborate on the project, featuring edits from gretchen super sexy and tudao from banda black rio. the new versions deliver a longer and punchier bass line and a groove that got extended to satisfy our ears and resulting in a dance floor-minded record, faithful to its original brilliance.

a staple album since its release in 1998, heavenly is as relevant today as it was twenty years ago. it turned heads everywhere, got the underground scene buzzing and set dance floors ablaze like an accomplished pyromaniac. now, the album is back for another round of techno-flavored goodness. revisited, tweaked and rearranged by kevin saunderson under his e-dancer moniker, the album not only comes with additional material in addition to the 1998 originals, but is also poised to fuel a number of exclusive e-dancer live shows. a collection of songs sure to keep the dance floor ablaze for decades, ‘heavenly’ (revisited) is set to make history once more

new comers laughing man and noah skelton release their -element ep-, on silencio. the first track, -element-, is a collaboration between the two artists. this combined effort rumbles into the clearing, dragging the dance floor and its occupants along with it for a riveting ride throughout its duration. a beguiling bass line, complimented by underlying ethereal sounds, seamlessly contrasts and connects to form a compelling rhythm. riddled with space age laser samples that periodically bubble to the surface, this track consistently pulls listeners in by pushing out good vibrations. on side b laughing man goes solo with the second track -1939-. this dynamic offering is a model of contemplative creation that basks in its own thought provoking ambience. a series of scintillating samples, echoing in waves of varying intensity, are served up with satisfying drums and a clever assortment of claps. this release has a way of finding your mind and marinating in the sub-conscious because it s just that deep.

the enigmatic dj ice tits manifests yet again! the a1 cut is a dance floor monster with heaving, wet slabs of bass chopped with urgent vocals and sizzling percussion before moving into more emotional, melancholy, and sometimes strange territory. dj ice tits is a reasonable person.

reasons marks fort romeaus first full solo release since 2016s secrets & lies on live at robert johnson, having previously released records with ghostly international, running back and his own cin cin imprint. the title track sees the development of the producers interest in playing with the human voice, developing a harmonic and rhythmic hook which builds to a crescendo of wailing synths. c.e.m is a focused dance floor workout built around syncopated sequences which ebb and flow creating a constantly evolving pattern of tension and release. on the final track satellite 2 a pair of beautiful duelling sequences unfurl giving a sense of weightlessness and provide the perfect epilogue to a record that marks the continuing evolution of the producers unique sound.

we hit you with the second single from jimpsters acclaimedsilent stars lp loaded with the good stuff! the album has received much love from djs and critics alike and its clear that after 25 years in the business jamie odell retains his reputation as one of the most talented and consistent electronic artists in the uk. as a&r and dj he also boasts a fine ear for emerging talent and here he hands over the reigns to two hotly tipped producers to rework his originals. first up we have the incredible peggy gou who takes on the sun comes up ft. jinadu.her speedy rise through the ranks over the past 12 months has been down to just a handful of brilliant eps on rekids and phonica and her skills as a club dj. the berlin based korean sits somewhere between detroit, london and berlin in sound and her dj sets are an assured, kinetic combination of dark, pulsing house and techno, broken beats and abstract compositions. her influences shine through on her remix which goes deep and musical whilst retaining an energetic drive for the dancefloor. perhaps the most mesmerizing, floor-focused track from the lp is up next, silent stars. an electronic tribal dance which builds to a speaker-wobbling sub-bass breakdown and wonderful chord section at the climax. next, a remix from west coast native urulu who came to jimpsters attention through his releases on lets play house, dirt crew and his own amadeus label. trying to describe his remix of where you areft. khalil anthony is no easy task, fusing elements of techno, broken beat and afro house, but check it out and if you can think of a suitable new sub genre to pigeonhole it with, let us know. closing the release we have the slow-burning, balearic-tinged beauty known as the sun comes up featuring jinadu on vocals. this is one to drop in the warm after-glow of a crazy night under the stars when tired legs and happy hearts crave a soulful groove to give them one last lift.

following the astounding success of their first release with chaos in the cbd, yam recordings return with the first installment of their you and music compilation series. this 5-track release features leonidas, msss, sofatalk, tom esselle and z lovecraft. compiled by shop owners theo & tom and born of relationships forged at yam records on rye lane, it represents both local and international talent that they ve had the pleasure of crossing paths with over the past 3 years. tom esselle s le&#770,,let kicks things off with a traditional guadeloupean folk song re-worked for the club. driven by tropical percussion and a hefty bass line, the call-and-response vocal elevates the track. msss follows with this is a modern drugs party. this track chugs along, interlaced with african and far eastern influences, while tuned percussion adds a hypnotic element. modern drugs party indeed. on the flip, italian maestro sofatalk offers up truth theme, an afro broken-beat masterpiece prime for the summer. polyrhythmic percussion, twisted horn samples and vibe solos carry the release from the nightclub to the beach. leonidas takes things back to the floor on shesha dub). this analogue hardware session delivers crisp hats, acid bass lines and synth stabs aplenty. the syncopated rhythms drive the track through five-and-a-half minutes of pure groove. finally, z lovecraft closes the compilation with oceanic a live jam recorded in one take. this track invokes memories of video games, beach life and sun-kissed afternoons, transporting the listener to an audio oasis via a digital ocean.

label boss tonbe is back on disco fruit under the moniker loshmi for the first time. loshmi is specialized for great disco and funk re-edits and he is a well known with his serious edits series on digital imprint. he constantly trying to blur dots between disco, funk and house music. these four tunes are selection of loshmis best selling pieces on digital imprint. highlights include the pounding disco-rock-flute workout drugstore. sweet & nasty is just about as seductive as you can get those strings do some real damage in that groove, while wsoop wsoop deliver heavy, floor friendly p-funk workouts.

for our next release we welcome back two of hamburg’s finest and most recent international exports: adana twins. last seen on our latest various artists compilation, the duo returns with three absolutely stunning tracks of low slung, infectious cuts blurring the lines between house and techno with an undeniable brush stroke of character the two are quickly becoming synonymous for. ‘flower of cane’ kicks things off in an almost sinister fashion with massive low end bursts and a fever inducing, single note that never stops rising culminating in a climactic crescendo of dance floor euphoria while ‘ortus’ takes a much more ‘up-beat’ approach with dreamy arpeggios and shimmering atmospherics laid over a pulsing bassline resulting in a gorgeous number ideal for a number of memorable moments. wrapping up the originals is the guaranteed summer anthem: ‘relentless fest. jeppe kjellberg’ where sultry vocals and lush aural artifacts launch sensations to uncharted new heights. not done yet, we asked none other than the brilliant andre lodemann to create his revision of ‘relentless feat. jeep kjellberg’ and he, as always, delivered big time. with not only one but two solid reworks of the original lodemann’s remixes need no description other than there is a vocal and a dub version to satisfy any dj’s sensibility. we hope you enjoy.

during kris baha s migration north, an introduction with berlin cult figure dane//close has led to power station s latest offering and debut mini lp the miniature industrial complex. originally released on limited cassette via noisekolln tapes, the lp brilliantly displays the sameheads resident s appetite for all things wave, industrial and weird, with an eye firmly to the floor. opener rockbox plays like a forgotten b-side dub, 80s drums chug as brazen noises bounce off a delicately nostalgic lead. fourth voice slings low, incessant bass drones as sci-fi vox and metallic hits to the rhein. mercy mercy increases the tempo, an arpeggio leads the way as intensity rises, unnerving samples introduce a flurry of gunshot snares. flip over to ancient rome , a dancefloor musica lirica complete with a forward baseline, air raid sirens and raw drum workouts, the fall of the roman empire! not part of the original cassette release, beard maintains the energy, wild guitar shreds in a neurotic ritmo frenzy alan vega crossing into 2016 dance floors faintly comes to mind. and lastly rounding out with fine experimental ender thunder ...mayday

night tide founder eluize returns to the label with her follow up to last year’s debut release talk in technicolour. her latest five track sonic trip for the forgetful follows 24 hours searching to be lost, finding comfort in the dance floor, time spent after hours and the day that follows. it seeks out soaring highs and sweeping lows covering all energies.

next up on aus music is the welcome return of a good friend and label regular - the ever ascendant marquis hawkes. having released 4 eps on aus thus far, he makes his return in the form of a blazing, floor-focused 2 track ep which sits neatly with previous outings on the label. ‘the basement is burning’ takes it’s name from a near-fateful experience stemming from an electrical fire in hawkes’ home which culminated in him and his family being evacuated from a 5th floor balcony. having ensured the safety of his family, he made a dash across berlin to make a 10am live show, a few days later with the power back on ‘the basement is burning’ was born. the title track kicks off with splashy, live drum samples that are armoured with electronic layers before a feel-good piano lick glides into the mix. bursting synths are introduced before ducking strings chords bring the track to an ecstatic conclusion. ‘tower block boogie’ then tumbles short funk samples through bold drums as a fervid sense of tension burns throughout.

hot off the heels of his latest release on dirtybird and ahead of a ten date us tour, toolroom favourite weiss is back with the next edition in his weiss city vinyl series with weiss city vol 4. with sell-out self-branded shows all over the world under his weiss city guise, weiss continues to go from strength to strength on the underground house circuit, racking up more and more fans and creating more dance floor anthems along the way. kicking things off on the a-side is his latest weapon, you better run , which offers that signature weiss sound with a serious chunky and funky groove accompanied with a retro vocal and tough, classic sounding pianos. the dub mix sees weiss lay down a tougher and darker take on the original with additional trippy synth patterns, this is one for the more forward-thinking floors. the b-side sees weiss team up with label favourite harry romero with the contagious, chunky, groover, let me show ya and rounding off the package is feel for me with its funky, infectious baseline and hooky vocals. four essential slices of dance floor mayhem from one of toolroom s main men, not to be missed!

valencias alex font welcomes romanias sepp to acme for the first instalment of mis hermanos rumanos for an intricate split vinyl release limited to 250 copies. acme boss alex font has been producing nuanced house music for over a decade, cultivating a signature style that blends funk, jazz, latin, and techno whilst fine-tuning his skills as a club dj throughout europe for years. meanwhile, uvar and catren founder sepp, who s one of the most influential producers of the new romania minimal-techno scene, has kept equally busy creating and curating quality minimal, including appearances on apotek studio and ada kaleh romania, not to mention an album on uvar. first up, sepps cantecul fusului combines rolling grooves with hypnotic atmospherics before alex font s murph injects a visceral low-end bounce alongside slithering percussion. next, font keeps the reigns with mambo 3, a heady dance-floor number riddled with crunchy drums and a dusty aesthetic before listen to me closes the ep with the eerie phrase just listen to me echoed among crackling ambience for a meditative finishing touch

this highly anticipated release by los angeles based artist, axkan, delivers a powerful message to the techno underground, letting everyone know this record hasn t come to this point by mistake. with powerful remixes by luis flores, pinion and rolandohödar to support, axkan delivers a strong statement with tension , a techno masterpiece with broken industrial rhythms that is bound to shake floors, and crack the surface. he masterfully creates some true and raw emotion, with his dark, sinister and gritty sounds that is guaranteed to grab attention from the beginning. axkan s self-confident creativity, however didn t come alone. techno heavyweight luis flores provided a remix that is nothing short of spectacular. he encapsulates axkan s raw, dark noises, and completely manipulates them into a gnarled and twisted rendition. pinion s remix perfectly complements the release in a cohesive way to get the dance floor moving. his unique characteristics include a deadly vicious groove with glitchy vocals combined with deep melodies. aerotek founder, rolandohödar, had to get his hands in there, with his industrial techno breaks remix to add to this ferocious ride. with all tracks united together, this ep is rooted with serious energy and will undoubtedly tear speakers apart. it exploits experimental to traditional 4x4 percussion workouts and is definitely worth listening.

sadar bahar & ben cosmic force team up and come correct with these two direct disco jams artwork by cosmo knex. tipp! the two tracker arose after sadar bahar discovered bens utrecht based studio (housing 60 synths!). electro fiend ben was charmed by the electronic elements in sadars funk and sadar loved bens ideas. nuff said, a new nl based project was born. nothing sampled for these tracks. only stabbing guitar, bass, sax and pounding drum programming for dance floor heat!

mood 24 returns with the mood series various artists. for this installment we have 4 special tracks each one to suit different styles and tastes. first up we have nima gorji with his contraction track. a groovy minimal track, repetitive but at same time brings you along through a little journey on the dance floor. dragutesku gives us a deep and dark track with special little sounds here and there to bring suspense and anticipation to this wicked track. negru has a more solid house style. 808 drums, sick sub bass and a jazz melodies. petar cvetkovic gives us some more tech house orientated sounds, simplistic drums, groovy rolling percs and a sick vox to wrap things up nicely.

physical therapy assembles a flurry of kicks and thick breaks around deep subs and tender harmonies. lush moments are balanced with saturated rhythms, pushing the momentum in each tune. spoken words skip over dubbed out synths on more sugar, always a euphoric treat on the dance floor! on the b-side, pt flexes for the verdant tropical techno of string thing. play at 45 for the desensitized mix or slow things down to 33 for a balearic sensitized mix. both mixes available direct from the sounds of beaubien ouest bandcamp.

reda dare comes back with his own brand new imprint, reda dare records. for this ep, he decided to press three of his smoothest tunes. the wax’s a-side is the one and only ‘albadare’, representing his classic strict groovy mindset and bouncy harmonies. then comes ‘orgy of the dead’ an old school hip-hop inspired house track, with a heavy bassline and a festive rhythm. finally, the vinyl ends with ‘x’ a spookier vibe that’s perfect to set the dance floor back on track. this limited issue is a collection of reda dare’s finest over the years, don’t miss out ,)

!! ltd repress !! metereze follows its karmic path of delivering stomping dance floor oriented cuts, this time with the help of john dimas, expressed into the telexistence ep. working both as access keys as well as soul transporters, the 4 tracks are a peek into an alternate reality, where room filling baselines go as mood uplifters along with the textured chords that submerge the crowd into the deep waters of dreamy house music.

osmose and thoma cher present 4 disco house jams that will work the floor from hotlanta to shanghai. each song arranged for peak hour vibes!

limited 2017 repress. rough limited is a new german based vinyl only record label that is specialized in underground club music. the first release comes up with a four track ep of sublime house cuts from diego krause (beste modus & unison wax). early support from: bicep, konstantin sibold, oli furness, muallem, dj steaw, cinthie, manooz, timothée milton, rhythm operator, leif müller, sebastien vorhaus, fede lng, lifekiss&hoover, toronto hustle, tobi danton, danapo and many more ...

deluxe-reissue des electronica-klassikers -neo ouija- (1998) des britischen produzenten lee anthony jude norris aka metamatics (norken, nacht plank) auf klarem vinyl mit aktualisiertem artwork des original-grafikers chris thompson. norris -stimulierte lieber synapsen als dancefloors zu zerstören- (o-ton), stand bereits vor 20 jahren brian eno, gary numan und depeche mode näher als seinen zeitgenössischen kollegen und hatte einen massgeblichen einfluss auf andere künstler wie radiohead und laurent garnier.

midnight riot returns to rio to join joutro mundo one of the hottest producers in the game. just in time for festival madness he delivers round 2 in his much loved brazilian boogie & disco series featuring joeblack, rafael fernandez & facchinetti. here we have 4 tracks of pure dynamite coming from the land of the hot groove. teasing us throughout with his trademark hypnotic acid squelches over a deep sun drenched horn sections, funky guitars & fluid keyboard hooks that makes you feel like summer will never end. its another album of total floor busters, the perfect high for all disco - funk & house jocks out there who love to drop a little bit of that south american magic for their sets. dj support dj harvey, horse meat disco, psychemagik, danny krivit, greg wilson, dr packer, pete herbert

paper recording are back on vinyl with a fantastic debut 12- from italian duo soundersons, who have come up through the underground bologna house scene. can t get enough is a deep electro-funk slice of nu disco with diana g on vocals. it s got 80s synths and squelches, vocal hooks a plenty, clonking percussion, rhodes and that metro area / tom tom club vibe. parts i and ii are split in to vocal and instrumental over one side on continuous play for maximum dance floor action. on the flip, the mighty dj spinna brings his a game with a deep nyc take that is underground house at it s best. he uses synths, arps and the vocal to slowly build the remix that hits it s peak at the end. finally education finished things off with a raw disco cut up that hits the floor running and keeps going full pelt. one for the dancers.

arriving as the first release of the new sublabel series figure jams, this split ep by fabrizio lapiana and amotik serves not only as a crafty cut in its own right but also showcases a particular type of package, which figure will be facilitating from now on. the a-side is taken up by a pair of lapiana’s irresistably dense grooves that unmistakebly tread in the footsteps of his homeland’s highly emotional techno, unafraid of big melodies but also injecting just the right amount of twisted acid to set the floor ablaze. this sense of grandeur and space is also reflected in the work of fast-rising producer amotik. painting with his very own colours as an equally epic scenery, its bleak and post-apocalyptic landscape dominated by broken industrial beats and hypnotically swirling synths.

best works records label-owner andré lodemann is back with a new long-awaited ep on his imprint. it is the 20th release on the label. for this “birth” ep andré personally enlisted non-other than swiss duo adriatique for their remix skills aswell as new-comer producer fabian dikof. andré’s track “birth” creates contrasts using african-drumming inspired styles paired with techy-beat pro-gramming. starting more on a minimal tip the track works its self up to high-tension climaxing with an emotional break keeping the deeper moments intact. adriatique created a faster more club-orientated ver-sion paring the more hooky parts of the original with beat-sythn elements giving the track a more tribal feel. the second remix featured here come’s via fabian dikof the second main artist on best works records. it s great to have him remix andré lodemann at last presenting his masterful skills. fabian took a different path in his remix working more on the melodic hook but also creating a warm bass-laden soundscape that loves the dance-floor in its own right.

first ep of zelaian disco club created by the sheitan brothers. based on arabic and maloya inspiration, this first ep of the brotherhood is a gift to a tribal dance floor mixing traditional music and electronic beats.

black vinyl !! new eight track compilation for the tenth release on the delsin cameron series. taking in stronghold names as claro intelecto and vril, as well as former contributors to the series shlomo, artefakt and gunnar haslam. as has been the mission for the series before, theres eye for new talent too - in the names of recent delsin newcomer sentomea, the invariants and cameron. all contributors look beyond the dance floor to offer a mixture of moody and atmospheric sounds, which has resulted in a collection that covers so much stylistic ground.

brooklyn based 369 records returns with its second release, a split 12 featuring artist co la and jeremy hyman. a side is laced with the freaky self extended edit of co la s -barricade-. this track sculpts sound into a club ready fast pace tune sure to leave people intrigued and begging for more. on the b side jeremy hyman introduces a hypnotic melody unlike many you have heard before. building on this melody it slaps you with the clap, and beats you with the bass. dance floor tested , this release is not your average twelve inch. both co la and jeremy hyman have a rich discography and sick pedigree before their solo careers. co la aka matthew papich played in ecstatic sunshine ( carpark records) before starting his solo project co la (software records, primary information) , and also a key contributor to lifted (pan records) jeremy hyman is a rare breed. a classically trained drummer who has played for more legendary bands than one can name (ponytail, dan deacon boredoms, animal collective, lifted) . he has recently started a wild independent self titled electronic solo career. he has already released tracks on future times records

without artwork cover - only standard cover (see picture)...ltd warehouse / backstock - the midnite ep is the follow up ep to delano smith s sunrise ep on third ear recordings, released at the end of 2008. the sunrise ep was one of the underground house records of 2009, and the midnite ep is set to be one of the underground house records of 2010. both delano and us think the midnite ep is better than sunrise. after the sunrise ep, we decided to do it again and maintain the theme and name the next ep after a moment, a feeling within the dance floor experience. we decided on midnite. once again we have selected four tracks from a selection that delano sent us. you can play these tracks at any time of the day or night, and we encourage you to experiment in this way. however, dropping any of these tracks at midnite will ensure that you, your dance floor and all the people in the room will be set up for the journey. :-) a1: a special kind is constructed in the classic style of filtered samples from another record over a fat (really fat as this is a record made in detroit) kick drum. the samples are from ashford and simpson s stay free from 1979 on warner bros records. it is a sign of a good dance music producer that s/he can take an already great track and turn it into a dance floor bomb. delano has done this with a special kind. 117bpm. a2: dee s gruv is a very deep, very atmospheric groove. a crisp snare, a growling bass, a kick drum of varying intensity though the track framing the vibe, and a subtly modulating chord that goes on forever. hi-hats and ride cymbal move in and out of the track as it ebbs and flows. this kind of deep, grooving suspension of time is becoming a delano smith speciality. 122bpm. b1: the exploration is delano working through the same ideas as he explores in dee s gruv. hitting harder and driving faster than dees gruv, the exploration is a continuation of delano s search for the ultimate deep house groove. all students of electronic dance music should check this.

panorama bar resident nick ho&#776,,,,ppner gets to work on his second solo album on ostgut ton, connecting the territories of house music with the ease of alt-pop. work as in labor. an axiom that fuels the capitalist system just as the techno/house scene economy says that one needs to keep oneself busy to make a living. as a musician, things are complicated of course. it’s a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. after leaving his full time job as ostgut ton’s label manager in 2012, nick ho&#776,,,,,,,,,,,,,,ppner went fully freelance, focusing on his musically diverse, deep and dynamic djing in and outside berghain’s panorama bar, but more importantly spending more time in the studio. the result was his critically acclaimed debut album folk (ostgut ton, 2015), various 12“ releases and remixes, and now his sophomore lp, work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

nice price deal !!! and again tom pooks delivers on >part two< rockin techno clubbers for the hot hours to save the floor

the french artist jay ka show us an amazing release with deep sounds and raw waves, perfect to floor. b side contains vocalist cut with amanda and dubbyman boss remix.

lost in time continues on it’s path exploring timeless underground house music with number 8 in the series. the ‘last step’ ep focuses on the extraordinary production talents of tuccillo, the italian musician widely regarded for his unblock studio. this record marks a deviation in direction for tuccillo, who is recently returning to his roots, making stripped down minimal dubs aimed directly at the dance floor. lostime008 includes four new cuts which can best be defined as ‘romanian’ style in essence. in fact raresh from a:rpia:r and livio & roby from premiesku are early supporters. the title track kicks things off with rolling percussion with more than a hint of latino attitude. dubby stabs and detroit style chords soon join the party and intricate changes in the drum programming keep subtly lifting the track throughout. ‘changed’ opts for a totally different tact, opening with lush, dreamy pads which evolve alongside rolling snare patterns and bass grooves to reveal a heavily harmonised spoken word vocal. on the flip side, ‘drum engine’ opens with feint, delayed vocal stabs which are joined by celestial, swirling pads, before being abruptly stripped away to reveal a menacing growling bass finally, ‘titled’, takes thing in a more minimal direction with airy pads and acid bleeps panning around the mix, showing off tuccillo s immense production talent

memento records honcho idriss d is back on his own dib sublabel with * khomsa* a 3 tracks banger with a steady pace and a fresh sound, blending together house chords and rhythms with techno bleeps and structures. “khomsa” is a peak time dance floor anthem focused slowly built up by shuffled grooves and bouncing synthesised drums. “watching my self” is darker, faster and relentless, while “stability” is a fine crafted esoteric percussive trave into outer space

benjamin is back with a follow up to last years smash hit light of my life b/w dreamins for free.this time out backed by the fabulous dreamdances benjamin shows no signs of slowing down with the sophomore release on palmetto street, not one more tear b/w thats what you mean to me. side as quick tempo and strong buildups are not only the perfect platform for a story of persistence and self-realization but an irresistible 4 on the 4 dance floor groove. evoking the murky underground stormers of detroit circa 66 its an ideal prime time spin for your local soul club. thats what you mean to me is a charming ode to love that s yet to arrive. falsetto lead vocal stacked up with syrup sweet group harmony backups and offset by big boss brass all resting on top of a floaty mid tempo groove. it s certain to warm up any vibe with an irresistible sing-a-long chorus.

a bassline so infectious, how can you not move to that! killer boogie funk at its finest, will make you slide to the dance floor. by the time the vocal hits, your hands are in the air and the magic happens!

now the dust has settled after louf’s debut, we have an emotionally driven release from tom vr on valby rotary. ‘hear me out’ is a deep club track that builds an atmosphere of both heart warmth and heart break. it boasts eerie vocal samples, raspy chords and coarse punching drums, making it energetic yet still suitable for the sensitive euphoria of the dance floor. the b side ‘indigo’ is a pulsating soundscape of longing & tension that eventually erupts with an uplifting finale of acid and the splash of ride cymbals.

monnom black debuts a brand new artist to the label for its esteemed tenth release. coming straight out of holland is the fast rising star, remco beekwilder! here he arrives with his monumental lsd ep. absolute essential floor killer!

mechanisms industries re-emerges from the tape studio to welcome the return of hunt patterns with 3 tracks of pure dark, gritty analog techno. lots of mechanical sequences for maximum peak time dance floor performance.
pressing on solid white vinyl.

played by raresh !!
politics of dancing records celebrate their 3rd anniversary with two vinyl only releases and a digital compilation of unreleased tracks from a pretty impressive line up of confirmed and up and coming producers. this is the second vinyl only part to be released, with another 4 tracks of serious cutting edge underground house music. io (mulen) , chris carrier, john jastszebski and tommy vicari jnr are on the line up and it s been highly supported by raresh, d julz, apollonia and djebali among others. io (mulen) opens up with a classy 8 minutes floor killer with a fat rolling bass and funky stabs, chris carrier goes deep space for good with jazzy drums and killer effects. on the b side, john jastszebski gives us a masterful deep dub techno lesson, and the prolific and versatile tommy vicari jnr closes with style, on a smooth and elegant deep house cut. another top notch 4 tracker from politics of dancing records.

our beloved record label analog solutions presents this time to v / a, signed by kristina and orbe and where eduardo de la calle label owner add as well a special detroitish techno soul tool on side b2. it’s been several months since the last vinyl release of the record label, but it certainly strike back again with a sonic quantum force! dropping the catalog reference number 019 which is full of usefull and mesmerized ideas dj tools for worldwide djs that deserve it! it would be nice to pay attention to this great job that will be available only in vinyl format for the first few weeks. pure - shake that ass science - on 12” ... special design for the dance floor ... don’t let it go!

nice price deal !!! qhey, who has always been leading the scene of tokyo and is in forefront of the japanese techno scene, teared up again with german producer ramon zenker (hardfloor ) and they drop out another tech-fused bomb to rock the floor

some say that soul music is making a comeback, but for these two funk-soul brothers it really never went away. here we have two great workouts of classic covers that show love & respect for the originals while steering them directly at the dance-floor. you’ll know these tunes, but not like this!